![]() Even when the percussion is attenuated to the point of a click track and hi-hat, Dammit keeps the sense of space and suspense intact. 'Jolly Coppers on Parade' is a dense, glowering piece with decaying, percussive fragments buzzing around the mix like an agitated hummingbird. Dammit's work also immediately brings to mind the hard, crisp techno of contemporary artists such as Surgeon, Ben Sims, Oliver Ho, Adam Beyer, and Regis, who never permit a bass line anywhere near their music. The opening track, 'Number One Famous', and 'Roadblocks Here and Here' see Dammit picking up the gauntlet thrown down by Adrian Sherwood's stunning On-U Sound ventures with Creation Rebel, Tackhead, and Mark Stewart. Those in search of often-redundant breaks, beats, and loops records will find this album perfectly suited to heavy turntable rotation. Think of this record also as the perfect DJ tool. But there are few artists who bring percussion to the foreground, and Toby Dammit's music occupies that rare position of the artist who works solely with percussion to create extraordinarily complex yet deceptively simple tracks. Drums and percussion are too often consigned to the background, as drum fills or a 4-4 kick drum installed to keep metronomic time. But in doing so, insists on the central role of percussion and drums, making a path-breaking record in the process. popular music, leaves unanswered that question. Perhaps these are all responses to jazz drummer Max Roach's enigmatic question: does the beat lie in the drum beats or between them? Musical provocateur Toby Dammit, whose work at the fringes of U.S. Throughout the history of late twentieth-century popular music, the cries have been heard in song titles: 'Hear the Drummer Get Wicked', 'Give the Drummer Some', 'Bring that Beat Back'. His beats collide, and the children unanimously scream in the ecstasy. Resident, he travels the world in an ever-changing magical orchestra pit. Is he the unfathomable link between Edgar Varese and Senor Coconut? Between Harry Partch and Harry The Bastard? Between the deep mysteries of Swedish sexcrime and psychedelic Krautrock sambas?! You have to feel the weight of his tympani storage facility to understand the glimmer of his glockenspiel. Layered, melodic, insane music where Hal Blaine meets trance, where Martin Denny blends with Ennio Morricone, where symphonic percussion instruments are filtered through 1960's spy movie soundtrack sensibilities and rubbed up against Vampyros Lesbos. Toby has never been credited with a specific role within The Residents, and has only ever been credited with 'sound making'.įollowing the recording of 12 Days of Brumalia Toby ceased collaborations with the band."The first psychedelic percussion album since Hal Blaine!"Mavens of The Good Life unite! Toby Dammit is a master percussionist who has here made one of the most compelling albums in recent memory. From 1999 to 2004, starting with Wormwood, he performed with The Residents in three separate touring shows and contributed to three albums, Icky Flix, Demons Dance Alone & The 12 Days of Brumalia. He stars as the big band drummer Willy Schuricke in the German cable series Babylon Berlin.įollowing his 9 year-long tenure as the drummer for the Iggy Pop band, Toby was invited to become part of The Residentstouring band along with Molly Harvey, Carla Fabrizio & Nolan Cook. In 2015 he began performing live as multi-keyboardist with Nick Cave and continued performing with Nick Cave and the Bad Seeds during their world tour for the album Skeleton Tree. He is mostly known for his work with Swans, The Residents, The Stooges and The Silver Apples. Dammit has often been credited as Larry Mullins, his adopted name. Toby Dammit (born Lawrence Edward Crooke, December 13, 1966, Knoxville, Tennessee), is an American producer, composer and percussionist.
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